Installation view / Beton7, Athens / THE INFERNAL MACHINE - group show with 280A /
program of Athens Photo Festival 2018 / photo by Daniel Castells
Narcissus’ Ponds
Objects, 2018-2023
These objects were once liquid, now solidified: Poured from synthetic resin, their shiny black surfaces reminisce on one hand the pond in Greek mythology, in which Narcissus reflected himself and fell in love with his self-image so deeply that he was thus unable to detach from it. On the other hand, they remind of smartphone screens, who also lure their users into obsessive occupation with what’s on and behind its surfaces.
Resin and black pigments, various sizes and dimensions
left: Ars Electronica Festval LInz, 2018, right: Feelings are Facts: ANGST, Kunstverein Eisensadt, 2023, photo: Rudolf Strobl
Künstlerhaus Wien, 2020
Ars Electronica Festval LInz, 2018
Installation view / Beton7, Athens / THE INFERNAL MACHINE - group show with 280A /
program of Athens Photo Festival 2018 / photo by Daniel Castells
program of Athens Photo Festival 2018 / photo by Daniel Castells
Installation view / HORTUS CONCLUSUS / Skulpturengarten Vienna